A · Worked example
Minor seventh
Sounding pitches: G4 · F5
Both sevenths approach an octave. A minor seventh leaves a two-semitone gap to the octave; a major seventh leaves one.
G4 to F5: 10 semitones, ascending. Minor seventh.
A minor seventh spans ten semitones; a major seventh spans eleven. The major seventh is one semitone short of an octave.
Minor seventh
Sounding pitches: G4 · F5
Both sevenths approach an octave. A minor seventh leaves a two-semitone gap to the octave; a major seventh leaves one.
G4 to F5: 10 semitones, ascending. Minor seventh.
Major seventh
Sounding pitches: G4 · F#5
Compare the two near-octave examples. Listen to their different widths rather than assigning a mood.
G4 to F#5: 11 semitones, ascending. Major seventh.
For aural examples, sounding pitch names are a listening reference. Written-note exercises preserve the displayed spelling.
Check the idea: Minor seventh is ten semitones; major seventh is eleven.
Imagine the octave above the first note, then judge how far below it the second note stops.
Identify seventh quality across fresh roots. For descending pairs, imagine the octave below instead.
Apply the remaining-gap idea to the new-question check without replaying the worked labels.
Each session starts with two guided questions, then your chosen practice set, followed by two new questions at a different tempo. First answers, same-question retries, and the final check have separate results.
Begin this lesson90 quarter-note BPM · 4/4 · With guidance
Minor seventh ascending, Major seventh ascending
Practice this level95 quarter-note BPM · 4/4 · Fewer hints
Minor seventh descending, Major seventh descending
Practice this level100 quarter-note BPM · 4/4 · Fewer hints
Minor seventh ascending, Major seventh ascending, Minor seventh descending, Major seventh descending
Practice this levelThe teacher pack includes 10 fixed questions, replay controls, a student sheet, and a separate answer key. The printed key and downloaded JSON use the same questions.
Original synthesized audio · A4 = 440 Hz · mono, 48 kHz WAV.
These references explain the underlying definitions. The examples and practice sequences here are generated for Earstep.