A · Worked example
Unison
Sounding pitches: F4 · F4
A repeated pitch stays in the same register. An octave keeps its pitch class but moves twelve semitones.
F4 to F4: 0 semitones, the same pitch. Unison.
A unison repeats one pitch. An octave doubles or halves the frequency, spanning twelve semitones.
Unison
Sounding pitches: F4 · F4
A repeated pitch stays in the same register. An octave keeps its pitch class but moves twelve semitones.
F4 to F4: 0 semitones, the same pitch. Unison.
Octave
Sounding pitches: F4 · F5
Compare repetition with the octave leap. Similar pitch color is not enough: follow the change in height.
F4 to F5: 12 semitones, ascending. Octave.
For aural examples, sounding pitch names are a listening reference. Written-note exercises preserve the displayed spelling.
Check the idea: Unison is zero semitones; octave is twelve.
First say “same height” or “different height,” then choose the interval name.
Identify unisons and octaves across starting pitches. In the descending level, use the magnitude of the leap.
Judge fresh pairs without remembering the absolute pitch of the demonstration.
Each session starts with two guided questions, then your chosen practice set, followed by two new questions at a different tempo. First answers, same-question retries, and the final check have separate results.
Begin this lesson90 quarter-note BPM · 4/4 · With guidance
Unison, Octave ascending
Practice this level95 quarter-note BPM · 4/4 · Fewer hints
Unison, Octave descending
Practice this level100 quarter-note BPM · 4/4 · Fewer hints
Unison, Octave ascending, Octave descending
Practice this levelThe teacher pack includes 10 fixed questions, replay controls, a student sheet, and a separate answer key. The printed key and downloaded JSON use the same questions.
Original synthesized audio · A4 = 440 Hz · mono, 48 kHz WAV.
These references explain the underlying definitions. The examples and practice sequences here are generated for Earstep.